Beer festivals always leave me wary. You can have a great time, or
you can wade through 20-minute lines only to find an empty tap when your
turn arrives. Too many times, these festival turn into masses of
blackout drunks. At the 2010 Montana Beer Festival in Bozeman, lines
took 10 to 15 minutes to reach the beer. A late-night beer session
around a fire on the snowy night saved that evening.
Not
so for the East Nashville Beer Festival. In its second year, the
festival hummed along like a well-oiled machine. Rarely did any station
have more than a few people in line, even when the special releases came
out. Once 1 p.m. struck, the voluminous lines that surrounded the
fenced parkland dwindled to nothing in 10 minutes.
Nancy and I arrived just before 1 p.m. and barely waited at all.
I
won’t run down everything we drank. Plenty of mediocre brews hid among
the gems. But we poured them out and did our best to forget. Too many
good and sometimes great craft brews flowed beneath the tents.
Wild Heaven poured Eschaton,
a Belgian-style Quadruple aged on pinot noir oak chips. The difference
between chips and actual barrel ageing was infinitesimal in this
majestic, ruby-brown ale. They embellish the dark fruits and molasses
typical to Quads with cherry, vanilla from the oak chips and even hints
of raspberry and light fruits. Complex even for a Quad, Eschaton was
dangerously drinkable. This Georgian start-up will not open its brewery
until 2013, but should generate strong attention with such unique
brews.
Nashville brewers occupied a large minority of booths.
Yazoo Brewing
earned a prime spot for its cask-heavy display. The Sly Rye Porter with
Cocoa Nibs developed a seductive streak far removed from the mainline
Sly Rye. The chocolate backdrop worked well in collision with the
porter's rye.
Indianapolis' Flat 12 Bierwerks opened a great rye revelation, its Big Black Dog 68.
This rye stout produced rich, textured layers of spicy tobacco and
molasses. The roasted character helps Big Black Dog built to 68 IBUs.
This original pleased with every pour.
The local
Black Abbey has an unmistakable heavy metal vibe. With the brewery
still in fundraising mode and without a physical location, they
presented three beers, including West Coast Wheat. Poured from a cask, this wheat ale bore the undeniable citrus of West Coast hop varieties.
Louisville's Rivertown Brewery poured a magnificent Blueberry Lager,
one of the day's most sessionable brews. I harbor a soft spot for
blueberry-based beers. In the 80-degree temperatures, the aggressively
tart blueberry flavor mingled effortlessly with the amber lager. Others
caught on; by the time we circled back to Rivertown, the Blueberry Lager
tap disappeared. Their citrus-laden Wit also fit the profile of a summer quencher.
We could not stay strictly domestic. Some liquor rep friends from
Alexei's Wine & Spirits poured the latest from St. Feuillen,
including a dynamite Grand Cru. This strong blond ale spiced with
coriander has a strong lemon body. After a bad experience with a bottle
spoiled by metal influence, St. Feuillen Saison improved
immensely. Poured from a smaller bottle, the saison is much maltier than
the Grand Cru, with a dirty orange character different from the day's
other saisons.
At several tents near the food vendors, local homebrewers showed startling ingenuity. The Music City Brewers
boasted a Saison de Brux, a Belgian farmhouse style that uses
brettanomyces, furthering its complexity.. Another entry that challenged
perceptions was an American pale ale infused with hot peppers. The
pepper served as a perfect antagonistic for the hops, giving both
characteristics room to operate.
Among these rare
homemade libations, we tasted a Spanish cedar IPA and a brown sour ale
aged in a Russian River barrels. Hardly mouth-puckering, the mild sour
flashes notes of molasses, cherries, and chocolate. Musty tones of
cider, vinegar and even Worcestershire sauce also held court.
Trouble
came to stay after we sampled a sterling barleywine from Napa Smith.
Red and dark fruits dominated this elegant beast that relegates hops to
the backdrop.
At 3 p.m., Nebraska Brewing Co.
started popping 750 mL bottles of its Melange a Trois, a Belgian-style
golden aged in Chardonnay barrels. Melange has stirs of vanilla in its
blonde body and some tartness indicating brett or lactobacillus lurking
in those barrels. In 10 minutes or less they blew through a case. It had
more wine character than most beers would dare; Nebraska Brewing went
there, and we should be glad they did.
We already familiarized ourselves with Nebraska's offerings. I forced Nancy to take a beeline there once we entered the gates. Lucky Bucket appeared first, so we went with their lively Saison,
a new addition worth remembering in summer. The lemon and spice
combination sparkled with hints of cracked grains and a few fingers of
coriander.
We stuck with the Cornhusker State, starting with Nebraska's Infinite Wit,
a subtly complex Belgian style with tones of pineapple, lemon and even
melon (cantaloupe, honeydew)circulating in its cloudy body. It set a
high-water mark by which we would judge all other wheat ales.Throughout
the festival, we returned to sample Brunette (a lively nut brown ale), HopGod
(a Belgian Tripel/American IPA hybrid rich with passion fruit, hop
citrus and bitter spiciness) and Cardinal Pale Ale (classic American
pale ale with just enough hop to keep the taste buds curious). HopGod
was a story in contrasts, its gentle flavors running into hoppy
outbursts. Somehow it stay balanced.
By 4 p.m., I had
hit the saturation point, and my tasting notes had grown largely
illegible. We sampled through East Nashville's new neighboring
breweries, Fat Bottom and Broadcast, but any meaningful words will have
to wait for a taproom excursion.
Cruising the " no
reentry" signs, the festival ended for us. Through its sophomore
outing, the East Nashville Beer Festival has built a strong tradition,
one suitable for beer-nerds and casual drinkers. They could invite the
same brewers next year and still please the palates of repeat visitors.
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