(Apologies for delays and for all the beer names I probably screwed up below).
A few months back, I took a rare opportunity to use my bartender’s
card (a perk from my wine store days) to pour some rare sour and funky beers.
Yazoo Brewing held its first Embrace the Funk festival and put out a call for
pourers of high-gravity beer.
Unlike other beer festivals, Yazoo held its releases
close to the vest, not giving festivalgoers any advance notice of when the
beers would pour. That led to a lot of shuffling across the brewery floor and a
spontaneity festivals usually lack. It also prevented people from queuing up
when at the scheduled time for a rare beer. It just happened and people dealt
with it.
I did get a few sips of Yazoo’s multiple sour and wild
yeast experiments made in partnership with Brandon of Embrace the Funk. Bear in
mind that these were mostly the smallest of tastes. Aside from two or three, I
never tasted more than an ounce of any sour, so if you want to contradict what
my palate registered, feel free. I spent most of the day pouring nonstop and
these tastes came in fleeting moments.
Yazoo/New Belgium
Rufus had notes of cherry, strawberry and other bramble fruits. It was
creamy and light, its sour pucker more mild than most. At its best moments,
Rufus reminded me of Russian River’s Supplication,
a sour brewed with cherries and aged in pinot noir barrels. Yazoo used two
Brettanomyces variations and aged the beer on currants and blackberries. New
Belgium contributed Oscar, its proprietary dark sour ale that serves as the
base beer for La Folie, its annual
dark sour blend.
One of the other volunteers brought me samples of the
rarities. Yazoo Sour Cherry went for
the throat, more than living up to its name. I only took a sip, but could only
be described as brute force sour.
Up next I received a splash (and only a splash) of Yazoo 100 percent Brett Custersianus
Amarillo Double Hopped Ale. Too rarely do brewers add hops to sour/wild ales.
New Belgium’s Le Terroir prove how
sublime they can be. Yazoo makes the case for more meetings. Amarillo pairs
perfectly with sour ale. This ale had a great twist of assertive, citrus-rich
hops as it finished. The brett strain pushed a dry, herbal notes to the front
of the palate.
After I poured more than 120 splashes of a Flemish red,
the brewers broke out Liefmans
Goudenband. This Flemish brown had traces of rum, molasses, and dark
fruits, especially currants. Dark and chewy, Goudenband had a bright sour
profile, with plenty of acidity and cider tones.
On the same break, I sampled Wild Child, a dark sour with Sue, Yazoo’s smoked porter, as its
base. A batch of Sue spoiled with lactobacillus led to Yazoo’s sour revolution
and Fortuitous, a decent sour porter. Here Yazoo blend Sue with its Dos Perros
dark ale and barrel aged the blend. Wild Child had some interesting notes of
smoke, anise and some peaks of spice (coriander), but it did not push any
envelopes. In the last round of releases, Yazoo Brett Horyezons, 100 percent
Brett Fermented Ale aged Rye Whisky Barrel. Chalk it up to me getting burned
out on rye beer and whiskey, but this ale was a letdown. All that stuck out was
a little spice and the sensation of licking the inside of a rye barrel.
My last taste introduced a new style. Yazoo Lichtenhainer-Style Ale was a
revelation, a beer both smoky and sour. It seemed like the next evolutionary
step from the Beacon, a smoked wheat ale produced jointly by Yazoo and
Calfkiller.
The last taste was the least expected. I started talking
with a few men who had been friendly when I poured beer for them all day. They
worked at the Brewery at Blackberry Farm
in Walland, near the Smoky Mountains in east Tennessee. The brown sour started
off in line with the style, then broke from its sour character into an
impressive finish of cayenne and other pepper heat. The heat never became
overwhelming, but never lost its intensity. It was as rare as anything poured
officially at the festival, and a great argument to the isolated areas on the
east side of the Smoky Mountains.
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